I’m with you: Queer Gestures at the Barbican Fringe
Owen and Miles invite you to their open studio, a museological camp amongst the exotic palms to explore friendships, public intimacies and exhibition.
Helping Professionals with a Painting
Attention for the Precariat
Zaitech is the New Modernism
Zaitech is the new Modernism. Live Art Performance at Charing Cross Hospital, London 2016
In Collaboration with:
Angela Hodgson-Teal
Peter Hollamby
Dalston Ballet Company
Yumi Hara
Kam Wan
Supported by Imperial College Healthcare Charity
Peter Hollamby – Lino Cutting
Lino Cut printing with Peter Hollamby. Manipulating a Toyokuni to include a heart for the Bareback Museum.
Fan Riot Fanzine
Let’s abstract the thought
The text develops as a queer methodology of language, bodies and encounters, and is empathetic to the ‘inclusiveness’ of Public Art. During the narrative, a group who have sought ‘Assylum’ in the UK explore the Liverpool Art Biennial ‘Touched’ (2010). The groups own subjectivity is explored as an exhibit: the artwork in the Biennial is described along with the groups impression of the queer art work.
Scene2b
Horse with Chicken drumstick legs jumping over a sty
Presented in a Live Art Performance – ‘Let’s Abstract the Thought’ – at Wilson Road, Camberwell University of the Art’s London during the student Occupation ‘ Arts against Cuts’.
King David and Goliath
This painting is made with oil and alkyd resin on MDF. I made it in 2010 during my second year at Camberwell University of the Arts, London.
It was first exhibited at Bethnal Green Working Men’s Club in 2014, on the stage during a live performance.
Bareback The Precariat – Live with David and Goliath Painting
Bareback the Precariat Museum
